Structure
Structure is an important element of successful soloing in Jazz drumming. A well-structured drum solo helps to maintain the listener's attention and tells the band where you are and are going musically.
The structure of a drum solo is usually based on the form of the tune you are playing. For example, you could trade fours and eights with the other musicians or play a chorus drum solo over a 32-measure song. Trading fours and eights is when you take turns playing 4 or 8-measure drum solos over the song form with the other musicians in the band.
Vamp drum solos are also common. This is when the rest of the band repeats a two to four-measure phrase with some kicks. It's arranged into the song and they'll repeat it a specific number of times or as many times as you like.
Vamp solos are fun to develop bite-sized creative ideas. You simply cue the band when you're done to return to continue the song.
You can also play open solos that do not have to follow the song form. In this case it's good to divide your solo into sections. An example might be
The Introduction is the opening section of the drum solo, where the drummer establishes the tempo, groove, and feel of the solo.
This may be continuing in the same feel, tempo, dynamic of the song or changing everything and going in a new musical direction.
The Statement is the main theme of the drum solo, where the drummer plays a rhythmic motif or phrase that sets the tone for the rest of the solo. We can then develop this phrase and connect it to new musical ideas to give our drum solo direction.
The Development is where the drummer expands upon the statement by adding variations, dynamics, and fills. This is the journey part of our solo. It's here where we really tell our story. I often use audience participation here with clapping and vocalizing.
Finally, the Resolution is the closing section of the drum solo, where we bring the solo to a conclusion and connect back to the song. Sometimes our open solo will be at the end of the tune. In that case, we just finish the song by ourselves.
The structure of a drum solo is usually based on the form of the tune you are playing. For example, you could trade fours and eights with the other musicians or play a chorus drum solo over a 32-measure song. Trading fours and eights is when you take turns playing 4 or 8-measure drum solos over the song form with the other musicians in the band.
Vamp drum solos are also common. This is when the rest of the band repeats a two to four-measure phrase with some kicks. It's arranged into the song and they'll repeat it a specific number of times or as many times as you like.
Vamp solos are fun to develop bite-sized creative ideas. You simply cue the band when you're done to return to continue the song.
You can also play open solos that do not have to follow the song form. In this case it's good to divide your solo into sections. An example might be
- Introduction
- Statement
- Development
- Resolution
The Introduction is the opening section of the drum solo, where the drummer establishes the tempo, groove, and feel of the solo.
This may be continuing in the same feel, tempo, dynamic of the song or changing everything and going in a new musical direction.
The Statement is the main theme of the drum solo, where the drummer plays a rhythmic motif or phrase that sets the tone for the rest of the solo. We can then develop this phrase and connect it to new musical ideas to give our drum solo direction.
The Development is where the drummer expands upon the statement by adding variations, dynamics, and fills. This is the journey part of our solo. It's here where we really tell our story. I often use audience participation here with clapping and vocalizing.
Finally, the Resolution is the closing section of the drum solo, where we bring the solo to a conclusion and connect back to the song. Sometimes our open solo will be at the end of the tune. In that case, we just finish the song by ourselves.
Creativity
